Castenaso | Rossini marries Colbran in a sanctuary
In the church Madonna del Pilar with its magnificent Baroque interiors and fine stuccoes on the 16th March 1822, by special concession as it was Lent, was celebrated the marriage between Gioachino Rossini and Ysabel Colbran crowning the great love and successful artistic alliance between the most prominent opera composer of the time and his muse.
Riccardo Zandonai was one of the last Italian operatic master craftsmen. Although many Italian composers after him continued to write operas, none will show the same consistent dedication or would produce such an impressive body of works. Composer of symphonic and chamber music as well as sacred music, Zandonai was also a sensitive and intelligent conductor.
Remembering Claudio Abbado
Claudio Abbado was a relentless disseminator of beauty, engaged in a constant search for “the truth” in music, a supporter of culture democracy, of beauty accessible to everyone.
Pesaro | Pavarotti’s “Buen retiro”
The house has an unbeatable location. Situated halfway up the hill that gradually becomes mountain, the San Bartolo – the only high stretch of coast on the Adriatic sea along with Trieste and Ancona – it faces a large bay. A lush vegetation surrounds the white building from early spring to late autumn. During summer it provides a shelter from the heat of the blazing sun and also from the curious eyes of the bathers crowding the beach – mainly locals as this is not a trendy beach; it’s simply a nice place -. Vegetation could not, however, shield the sounds. So, in the years gone by, it was quite common for people lying on the beach – including me – to hear the Maestro’s powerful voice singing a piece or some musical charade. It was quite something!
Vittorio Grigolo triumphs at the Met
Much applauded at the Royal Opera House in London in the role of Werther directed by Antonio Pappano and alongside Joyce DiDonato and in Les Contes d’Hoffmann, Mr. Grigolo has recently appeared at the Met in New York, in Roméo et Juliette alongside Diana Damrau.
The Diva and Bagnacavallo | Ebe Stignani
When the diva is a mezzo Romantic opera brought at the centre of the stage sopranos, heroines of every love drama composed by Bellini to Donizetti to Puccini passing through Verdi. Mezzo-sopranos in those days played somehow the part of “Cinderella”, before the meeting with the fairy Godmother. Relegated mostly to a secondary role, they were seldom able to share the popularity and admiration granted to the leading sopranos of their time. Ebe Stignani, one of the most beautiful voices of the last century Take for example Ebe Stignani. Not many know her or who she was, yet she was one of the most beautiful voices and of the finest musicians of the last century. Ebe Stignani and Maria Callas Stignani was a main star at the Teatro Alla Scala while Maria Callas was just starting her cooperation with the Milan stage. Those were Callas’ difficult first years at La Scala, where she debuted in 1950 as a replacement to Renata Tebaldi in Aida. There was certainly a pre-established criticism if not hostility and even a lack of interest for Callas’ vocal talents, that kept growing till 1953 when, after a Norma with Stignani, the Greek soprano left Italy to return […]
Singers and conductors places